![]() ![]() #Mosaic pro warrior 21 review professional#The level of technical expertise that backed the show could have been put on any professional stage. The production values of this work were second to none. Sterling work.Ī performance at any institution is always a demanding thing to stage to give all students a real experience of what they have to master in the professional world of performance. Well done Rebecca Lanzilli – young Cosette and Lila Messenger – young Eponione. ![]() The children were skilled and perfectly cast to complement their adult selves. (Bet he will still be around when he’s old enough to take the stage in an adult leading role). Harrison Thomas as young Gavroche was a force to be contended with. Enjolras – a very capable performance by Lachlan Moss. Madame Thénardier – Shanee Osbourne threatened to steal the show (and almost did) that personality will be unstoppable and Thénardier – Harley Dasey – excellent comic ability. Eponine – Played flawlessly on opening night by understudy April Beak, a flawless job. Look out when this voice grows into its boots beautiful. A performance that grew in stature as the show demanded. It’s a really hard sing that appeared to be effortless because of the truthful acting. Callum Worthington – this is a very promising voice too he is tall, handsome, and he can act! Triple threat! Ambrielle Payne – Fontine. Joshua Ridge – His Jean Valjean was pitched just right, and his version of Bring Him Home reduced this old man to tears. Here are a few names you might want to put into your diary to remind yourself in a few years’ time you first saw them in Adelaide. The principal roles gave us an insight into how many emerging artists will be heading out into the industry. The finales to both acts were impressive the vocal ensemble work was better than some professional shows I have seen. This is a talented and versatile ensemble of players who are musically brilliant and they can back it up with some impressive acting and dance/movement skills. ![]() James’ attention to detail, especially in the ensemble work, was a study in craft, the singing was superb and integrated flawlessly with the action, the movement of the action seamless, and the choreography cleverly integrated into the story – a skill every music theatre performer must master. These elements, seamlessly collaborating with George Torbay’s skilful musical guidance of a 16-piece orchestra and a cast of 21, made magic at the Scott Theatre tonight. The addition of Alexander Kermond’s choreography allowed the cast to excel in its delivery of an extra-special night in the theatre. And like the real world, only a small percentage of the applicants make it through to be trained by industry-experienced professionals who share their knowledge and talent to develop these young people into consummate professional performers.ĭirector Erin James’ deft and skilful guidance enabled these emerging artists to give a night of brilliant entertainment. The talent is a given any audition process for top-class training demands a rigorous audition process. They delivered a full-blooded and accessible piece of work worthy of gracing any professional stage. The students who undertook to deliver this industry-standard performance of Les Misérables are well on their way to becoming household names. One must be able to act, sing and dance at a very high level to have any chance of survival in an industry that has little mercy. Those of us who love musical theatre know it is a performance skill that demands a great deal from its artists. ![]() Over a very short period of time, this course, under the expert guidance of George Torbay, has become a premier training ground for musical theatre performers. Tonight it was presented by this year’s graduating students of the Elder Conservatorium Music Theatre. ‘Les Mis’ is an iconic piece of musical theatre known and loved by many. Presented by Elder Conservatorium Music Theatre ![]()
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